Back to Directory
Sign in to view full directory information.
Sign in
Glenn Cashman is bi-coastal, dividing his time between vlog and Southern California. A visible presence on the SoCal jazz scene, the saxophonist/composer leads a nonet, big band, quartet, and as an organist, fronts a trio. “I’ve Got Your Rhythm” his first CD as a leader, placed him in the company of jazz luminaries Kenny Barron, Ray Drummond and Ben Riley. As tenor saxophonist with Luther Hughes & the Cannonball-Coltrane Project, Cashman performed on/composed for the group’s four highly touted CD projects. LA Pianist Tom Ranier and Glenn collaborated on an intimate duo CD, “Blue In Green” and co-led an engaging sextet project “Bright Idea,” also showcasing Bob McChesney, Bob Sheppard, Luther Hughes and Kendall Kay. From 2005-17, Glenn served as Founding Artistic Director of the Muckenthaler Jazz Festival, a six-event summer series held in Fullerton, CA.
Recent highlights include five trips to Japan to perform and teach, a live CD recording with drummer Paul Kreibich’s “Thank You Elvin” project (2018) at the famous Lighthouse Café in Hermosa Beach, CA with fellow saxophonists Doug Webb, Jeff Ellwood and bassist Chris Colangelo. In 2015, Glenn recorded as tenor saxophonist for the debut release of Bill Warfield’s NYC based “Hell’s Kitchen Funk Orchestra.”
Glenn Cashman & the Southland Big Band resemble not so much the historic ensembles listed above, but rather a group in which the composer made a point of writing for his individual soloists and giving them space to play; a band such as, say, Duke Ellington’s orchestra. Is there a higher compliment than that comparison?...
- William Ruhlmann, JAZZTIMES
Cashman's Southland Nonet is a world-class ensemble producing the kind of music that no borders will hold. Melodic, catchy, hot and scintillating, Music Without Borders is bound to resonate around the globe.
- Edward Blanco, ALL ABOUT JAZZ.COM
Cashman starts his Trane Remembered with a muscular soliloquy that sets the mood for a lovely ballad. Infused with a blues connotation, the piece highlights the tenor saxophonist's Trane influence. Deep, mesmerizing strings of linked phrases flow from the horn with fluid ease.
- Jim Santella, ALL ABOUT JAZZ.COM